Jaalen Edenshaw: The Gwaii Haanas Legacy Pole

Jaalen Edenshaw: The Gwaii Haanas Legacy Pole

                                    By: Tara Chloe Dusanj

The Museum of Anthropology (UBC) is very pleased to welcome Gwaii Haanas Legacy Pole carver: Jaalen Edenshaw. Jaalen will facilitate a rich, visual presentation regarding his work on the Gwaii Haanas Legacy Pole. The disucssion will take place in the Great Hall at MOA on Tuesday, March 5, 2013 at 7:00pm.

The Gwaii Haanas Legacy Pole is 42- foot monument being carved to honour the 20th anniversary of the Gwaii Haanas Agreement. This agreement is the hallmark of a groundbreaking, cooperative management relationship between the Government of Canada and the Haida Nation. Currently an equal number of Haida Nation and Government of Canada representatives manage this special area through the Archipelago Management Board. Gwaii Haanas is renowned throughout the world as a model for governing cultural and natural resources.

Gwaii Haanas Legacy Pole carver, Jaalen Edenshaw,  highlights the interconnections between Land, Sea and People in the Haida Gwaii archipelago. In the Haida Language, Gwaii Haanas means: “Islands of Beauty.” The Gwaii Haanas National Marine Conservation Area Reserve (established in 2010) is the only place in the world which is managed from mountain top to sea floor. Gwaii Haanas has been rated by the National Geographic Traveller as the number one park destination in North America. The protection of this beautiful space is kept by the Haida Gwaii Watchmen Program and Parks Canada Work.  The land and sea of this remarkable place are protected as: A Haida Heritage Site, a National Park Reserve and a National Marine Conservation Area Reserve. The cooperative management agreement was reached after the turmoil of a blockade. After five years of negotiations regarding the Gwaii Haanas, it is now a model for conservation and the governing of natural resources in the world.

  The Gwaii Haanas Legacy Pole tells a story regarding thousands of years, places, people, the past, the present and the deep interconnection between the land, the sea and the people who take pride in this unique environment. Jaalen Edenshaw incorporates images in his design, which display two Haida moieties. The strength of their relationship is represented by several people standing together to reflect those who waited in line at Lyell. There is an eagle at the tope, and a sculpin at the bottom in order to acknowledge the unprecedented agreement between Canada and the Haida Nation. This is an agreement which allows Gwaii Haanas to be managed from mountain top to sea floor. The incorporated image of a visitor corresponds to the idea that those who come from far away are given the chance to experience the spectrum from ancient, oral histories to modern day archaeological studies. This ideology is indicated through the representation of the grizzly bear and dog images, but also through the recent design modification (that took place after the October 2012 earthquake), which include an image of Scared-One-Standing-and-Moving who is draped in the skin of a Wasgo (sea wolf) which enhanced his powers in the epic battle to hold up the Haida Gwaii and is meant to remind us that we are all united. The pole will be visible from a distance at sea. It will complement the thriving feature of the long house, the accessible old growth, the culturally modified trees, the salmon run and the cultural history, which attributes to the speciality of Gwaii Haanas.

The red cedar pole will be raised in Gwaii Haanas on August 15, 2013, which will be followed by a feast in Skidegate on August 17th. 2013. This also marks the 25th anniversary of the South Moresby Agreement, a commitment, which was made by the federal and provincial governments to protect the natural and marine resources of Gwaii Haanas. Additionally, it will be the first pole raised in the Gwaii Haanas region in over 130 years and will serve to build a connection with the other historic poles that are currently standing in the villages of Sgang Gwayy (also known as the UNESCO World Heritage Site).

A six-person committee selected Jaalen Edenshaw as the Gwaii Haanas Legacy Pole carver, whom asked Tyler York to be his assistant on the project. Jaalen was a member of the Ts’aahi- Eagle Clan. He was the head carver of the 36-foot ‘Cormorant’ pole created for the village of Old Masset in 2009. The following year, Jaalen and his brother, Gwaai, work together on the 43-foot ‘Two Brothers” pole, which was raised in Jasper National Park, Alberta. His work is highly inspired by the traditions of the Haida culture: their stories, the natural world of Haida Gwaii, and most importantly the Haida Language. Jaalen is very invested in preserving Haida language. He has contributed to this cause through his co-production of the play “Sinxii Ganguu”, which is an old story adapted and performed in the Haida language. Jaalen is also aware of the need to engage the younger generation with their heritage. He is apart of a language medusa team, which engages youth with language revitalizations. 

Join us for this historical, culturally rich and visual presentation on March 5, at 7PM in the Great Hall. Help honour the past by celebrating the future of Gwaii Haanas.

The event is free with general admission. Admission into the Museum is free for all current UBC students, staff and faculty.


 

 

TwoRow II by Alan Michelson

   TwoRow II by Alan Michelson

Tuesday, January 15 –Sunday, March 24, 2013

Starting Tuesday, January 15 (until Sunday, March 24), the Museum of Anthropology invites you to experience Alan Michelson’s immersive, four-channel video installation, TwoRow II (2005). This innovative installation takes viewers in opposite directions along two banks of the Grand River, which divides the Six Nations Reserve from settler townships in Ontario. The tensions are underscored by competing and colliding soundtracks that highlight the friction between narratives about the river as told by Six Nations residents and a non-Native tour-boat captain. Michelson merges two cultural traditions—Euro-American tourist panoramas and Aboriginal Wampum belts—in his evocation of the river as a metaphor for co-existence and contact between different peoples.

In this purple-tinted projection, Michelson references the historic Two Row Wampum, which is thought to embody a 17th-century agreement between the Haudenosaunee (Iroquois) and the Dutch. The parallel rows of purple and white beads on the belt symbolize the course of two vessels on a river, and the laws, customs, and traditions of each group that were to remain parallel and inviolate.

Alan Michelson is a Mohawk member of Six Nations of the Grand River.  Known for his multi-layered, multimedia installations, his work has been widely exhibited, most recently in the 18th Biennale of Sydney (2012) and, in 2005, the solo show Alan Michelson: Revealing the Absent Indian at the National Museum of the American Indian in New York. In 2011 he was named both the Invited Artist/Fellow of the Eiteljorg Fellowship for Native American Fine Art, and the first Visual Arts Fellow of the Native Arts and Culture Foundation.

TwoRow II is generously loaned by the National Gallery of Canada, Ottawa and will be curated by Karen Duffek, Curator, Contemporary Visual Arts & Pacific Northwest.

 

Happy Holidays from MOA!

MOA would like to wish you and your family a very warm and happy holiday! Come visit us over the holiday season and check out our beautiful space. The MOA Shop is also housing tons of beautiful, one-of-a-kind, affordable gift idea as a part of Windows of the World: A Holiday Art Market at MOA. This will be on until December 23erd. MOA will be open to the public on Christmas Eve (until 5pm) and will be open this year on Boxing Day! We hope to see you soon! Seasons Greetings and Happy New Year!

Windows of The World: Winter Art Market at MOA!

Holiday Market
A Winter Art Market at MOA
November 19- – December 23, 2012
This year MOA’s annual Windows on the World Winter Art Market celebrates world arts and cultures with Clay, Cloth and Silver, an eclectic array of handmade goods chosen to reflect the spirit of MOA’s extensive collections. This year there is a special emphasis on BC ceramics, and the arts and crafts of Peru.
The Museum Shop features a fine selection of original Northwest Coast jewellery, masks, carvings, baskets, and limited edition prints. Visit us online or onsite to choose from an eclectic array of clothing, gifts and collectibles inspired by Museum exhibits, or purchase a wide variety of books with topics related to Northwest Coast anthropology, art, and contemporary issues.
The Museum of Anthropology also has its own line of giftware designed by Northwest Coast artists Lyle Wilson (Haisla), Susan Point (Coast Salish), Vernon Brown (Blackfish Clan, Kitkatla, BC), and Shawn Hunt (Heiltsuk).
Sneak Preview
Monday, November 19, 11am-­?5pm

UBC faculty, staff, students, and MOA volunteers receive a 20% discount on all purchases during our popular Sneak Preview. Members are welcome, too!

Members’ Night
Monday, November 19, 6-­?9pm
Join us for a complementary drink, refreshments, live music, and prize draw. Meet our special guests, Peruvian weavers Lucia Andrade de Laureano and Clelia Margarita Ricra Ricaldi. Explore the Galleries and preview the Spring line of Uqllu fashion accessories in vibrant colours of hand-­?woven Alpaca. Take advantage of your 20% discount Members’ Week discount on Opening Night for the very best selection of one-­?of-­?a-­?kind gifts.

Not a MOA member? Memberships available at the door!

Members’ Week
November 19-­?25
Members receive a special 20% discount this week only!
Lucia and Clelia will demonstrate Alpaca weaving at MOA from November 19-­?23. Shop for luxurious scarves, shawls, and wraps made by weavers from Lucia and Clelia’s villages. Check the MOA website for times.

Members’ Week Special – 30% discount on signed copies of Luminescence: The Silver of Peru and The Museum of Anthropology at the University of British Columbia, MOA’s award-­?winning publication.

MOA Members are invited to shop and receive members’ discounts at the Vancouver Aquarium (December 10-­?16), TELUS World of Science (November 17-­?24), and Shop in the Garden at the UBC Botanical Garden (December 1 and 5) during their members’ events.

Museum Shop products can be shipped to any destination. We are also pleased to assist with conference, corporate, or wedding gifts.

All proceeds from the Shop fund museum acquisitions, publications, and public programs.

Not sure what to buy for that perfect holiday gift?
Give a MOA gift card!

For More information: http://www.moa.ubc.ca/shop/world2012.php

Queries:
Museum Shop Manager
Tel: 604.822.3440
Fax: 604.822.2974
Email: shop@moa.ubc.ca

Visiting UQLLU Artists at the MOA Shop!

Join us at the MOA Shop this Monday, November 19, 11 am – 7 pm and Tuesday November 20, 12-4 pm to welcome Peruvian artists: Lucia Andrade de Laureano and Clelia Margarita Ricra Ricaldi! These talented, textile makers from Peru will demonstrate their weaving techniques and discuss their work in developing UQLLU, a new line of alpaca clothing and accessories.

UQLLU is created from Alpaca. Alpaca is a luxurious, silky,

soft, durable, natural, eco-friendly, hypo-allergenic fibre that has unique thermal properties.

Meet The Visiting Artists:

Lucia Andrade de Laureano
Lucia Andrade de Laureano is a 58 year old talented artisan and mother of four, who has been living in Morococha since she was 17, so she’s definitely a “Morocochan lady”. Well-known amongst friends and peers as Lucha, she joined the workshop La Escuelita six years ago. When she was young, her fa- ther owned a loom (very common in small towns in the Andes) and taught all his children the art of weaving. It was a necessary tool that would pro- vide the family with the skills to make their own clothes and accessories.

Clelia Margarita Ricra Ricaldi

Clelia Margarita Ricra Ricaldi is a 44 year old artisan that works in “Aguaj Maqui,” the workshop located in Huaychao in Huayllay, Pasco. She describes this experience as “living the best times of her life” because of the opportunity that she has to make a living of this ancient craft and being able to support her family and dream of a better life. A mother of 5, she is proud of the profession she has chosen, that started as a hobby in the community and rapidly developed into a profession.

We Hope to see you in the MOA Shop On Monday November 19th and Tuesday November 20th to witness, in person, the craft of these two, extremely talented women.

General admission to MOA is free for all current UBC students, faculty and staff!